GreyWing
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performances

2020

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Clocked Out/GreyWing - object lesson
July 7 Tura Soup Nights, Lyric's Underground, Maylands
Natacha Diels - 35 Degrees [2016]
Jennifer Walshe - A sensitive number for the laydeez [2004]
James Saunders - constant interchange of the most various kinds [2016]
Rebecca Smith - new work
Alice Humpries - new work
Vanessa Tomlinson - Heavy Stop [2020]
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​Vanessa Tomlinson - percussion
Erik Griswold - piano
​Kirsten Smith - flutes
Lindsay Vickery - clarinet

Jameson Feakes - guitar
Catherine Ashley - harp
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Fri July 3    Limited Hangout: in the Field: Erik Griswold, The Piano Mill, Willsons Downfall, New South Wales

Sat July 11    Limited Hangout: in the Field - Vanessa Tomlinson (Tropical Grove)
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730 July 23 North Perth Lesser Hall Outcome Unknown: GreyWIng
Johannes Kreidler  - Stil1d [2010-13]
Louis D'Heudieres - Laughter Studies 3 [2016]
James Saunders - in which one thing depends on another [2016]
lindsay vickery - beginnings and endings [2020]

GreyWIng
​Kirsten Smith - flutes
Lindsay Vickery - clarinet
Jameson Feakes - guitar
Catherine Ashley - harp

2019

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GreyWing – ALBUM LAUNCH – Artificial Field and Ex Machina
TONELIST 730-930 12 Dec St. Paul’s Church 106 Rookwood St, Menora 

Lindsay Vickery (AUS) - Wardang [2019] for flute, clarinet, electric guitar, harp and tape 08:22

Annika Moses - VKW 96.1FM [2018] for tenor saxophone and radio 07:22

Mitch Mollison (AUS) - Egg-coloured sky [2019] for clarinet, electric guitar, harp and field recording 11:21

Peter Ablinger (DE) - Studien nach der Natur [1995, 2002] for six voices 08:21
Annika Moses - voice
​Michael Terren - voice
​Kirsten Smith - flutes
Lindsay Vickery - clarinet

Jameson Feakes - guitar
Catherine Ashley - harp
GreyWing - [ text ] 8 Oct 2019 7pm Tura Soup Nights
The Sewing Room 317 Murray Street, (Basement) Wolf Lane, Perth 
Arguments, babble, comments, dialogue, expressions: its only talk. Words have often driven music and this concert brings together recent local and international examples of "text in music". European sensations Jennifer Walshe and Cathy van Eck highlight the surreal possibilities of observation and declamation, Brisbane-based Vanessa Tomlinson and Eric Griswold explore memory and anticipation, while locals Annika Moses and Lindsay Vickery bring the personal and the political dimensions of words. The concert also features a new work by mercurial Paris/Perth performance artist Emmanuelle Zagoria.
 
1.Emmanuelle Zagoria (WA/FR) - moving to the other side of you [2019] 14:29
2.Annika Moses (WA) - Wheels of a spoke [2018] 06:29
3.Vanessa Tomlinson (QLD) - Nostalgia (Perth) [2013/19] 10:54
4.Cathy Van Eck (ND) - Song no. 3 [2010]03:55
5.Erik Griswold (QLD) - Stars of Ours [2013] 11:29
6.Jennifer Walshe - He was She was [2008] 05:34
7.Lindsay Vickery (WA) - t o r b u a m m p a [2019] 12:32
Kirsten Smith - flute
Lindsay Vickery - clarinet
Jameson Feakes - guitar
Ben Stacy - percussion
Catherine Ashley - harp
GreyWing Outcome Unknown 19 Sep 2019 730
North Perth Lesser Hall
Barry Truax - Steam [2001] 08:37
for flute and tape
Lindsay Vickery - mechanical inefficiency [2019]07:32
for flute, bass clarinet, electric guitar, harp and tape
Thomas Meadowcroft - Monaro Study [2011] 15:09
for clarinet, bass clarinet and tape
Alex Turley - Dunes [2017] 07:15
for harp and tape​
Kirsten Smith - flute
Lindsay Vickery - clarinet
Eljo Agenbach - clarinet​

Jameson Feakes - guitar
Catherine Ashley - harp

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2018

HEDKIKR and GreyWing with Orphans
21 December 5pm Spectrum Project Space
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HEDKIKR
[Darren Moore Drums and Lindsay Vickery - Saxophone]

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Orphans
Dom Barrett(guitar), Ben Greene (drums), Dan O'Connor (trumpet)
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GreyWing 
Cat Hope - Signals Directorate [2014] for bass clarinet, electric guitar, harp and electronics
Catherine Ashley - When will She Learn [2018] for flute, clarinet, electric guitar, harp and electronics  †
Eduardo Cossio - Ghost [2017] for flute, bass clarinet and electric guitar †
Lindsay Vickery - Tokyo Avian Sound Ark [2016] for clarinet, electric guitar, harp and electronics †
Sam Gillies - Snowden (eyes in the sky) [2014] for bass clarinet, electric guitar, harp and electronics
Istvan Marta - jmw's strange meeting with romeo and juliet [1986]
Ex Machina (works with mechanical recordings) 
14 November 2018 7:30 Old Customs House, Fremantle.
An important thematic strand in GreyWing performances has been music featuring field recordings, images and other data from the natural environment. Ex Machina shifts this focus towards the anthropogenic soundworld of machines and the mechanical. The six works in this concert span 50 years of engagement with essential compositional issues of art/artifice, natural/synthetic, representational/abstract and music/noise through the juxtaposition of musical performance, sonic reproduction and manufactured sound. Californian Robert Erickson was one of the first to directly search for the “music in non-musical sounds” as the inspiration of music with acoustic instruments and electronics. He pioneered the use of analog spectrography to visualise the shapes of complex sound objects. His Nine and a Half for Henry (and Wilbur and Orville)and its sibling Pacific Sirens(performed by GreyWing in September) both employ scores hovering between traditional notation and a spectrogram. In the digital era, Peter Ablinger is perhaps the most obvious living heir to John Cage’s embrace of all sound – especially noise. Ablinger developed the concept of “Phonorealism” exploring the fidelity of sound reproduction as a subject by altering the grain of the grid used to replicate it – like the pixel size of a photograph. Joanna Bailie and James Saunders take almost opposing positions: Bailie reinforcing and then dissipating the illusion of a recording of Trainsand Saunders completely stripping electro-mechanical sounds of their physical context in instruments with recordings. Camilla Hannan is renowned for her sound and radiophonic work with recordings of machines and generously agreed to collaborate on a piece for this concert. Dane Yates turns his attention to a simple but very Australian machine – the keg spigot. 


1. Robert Erickson - Nine and a Half for Henry (and Wilbur and Orville) [1968] 10:05
2.Joanna Bailie - Trains [2014]  10:40
3.James Saunders - instruments with recordings [2012] 08:05
4.Camilla Hannan/Lindsay Vickery - Telescope Turbine [2018 10:00
5.Dane Yates - Vinosity [2018] 09:21
6.Peter Ablinger - Book of Returns [2013] (part 1) 13:35
7.Peter Ablinger - Book of Returns [2013] (part 2) 06:15


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Kirsten Smith - flutes
Lindsay Vickery - clarinet/saxophone
Melanie Robinson - cello

Jameson Feakes - guitar
Catherine Ashley - harp
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artificial field (works with artificial field recordings)
9 September 3pm CoolChange Gallery

1F Bon Marche Arcade Building
74-84 Barrack Street,
Perth, Western Australia, 6000
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1.Matthew Burtner - Tingnikvik [2001] 10:14
2.Michael Terren - As Rendered [2014] 12:23
3.Vanessa Tomlinson - Sonic Dreams [2017] 05:40
4.Lindsay Vickery - rising water [2018] 07:13
5.Ryan Burge - Simulacra II [2018] 07:08
6.Robert Erickson - Pacific Sirens [1968] 13:23
Kirsten Smith - flutes
Lindsay Vickery - clarinet/saxophone
Phil Waldron - double bass

Jameson Feakes - guitar
Catherine Ashley - harp
lines of flight launch
Friday, April 6 at 6 PM - 9 PM Gallop House 22 Birdwood Parade, Dalkeith WA 6009
works by Catherine Ashley, Eduardo Cossio, Sam Gillies, Cat Hope and Lindsay Vickery 
Presenting the works.
1. Sam Gillies - Snowden (eyes on the sky) [2015] 06:55
for clarinet, electric guitar, harp and electronics
2. Catherine Ashley - When Will She Learn [2018] 08:55
for flute, clarinet, electric guitar, harp and electronics
3. Lindsay Vickery - here, apparently, there was time for everything [2015] 08:22
for soprano saxophone, electric guitar, harp and electronics
4. Eduardo Cossio - Ghost [2017] 07:00
for flute, bass clarinet and electric guitar 
5. Cat Hope - Signals Directorate [2014] 07:15
for bass clarinet, electric guitar, harp and electronics


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Kirsten Smith - flutes
Lindsay Vickery - clarinet/saxophone

Jameson feakes - guitar
Catherine Ashley - harp
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nature forms I launch
Sunday, March 25 at 6 PM - 9 PM Eric Singleton Bird Sanctuary, Bayswater
works by Matthew Burtner, Sam Gillies, Josten Myburgh, Yoko Ono, Vanessa Tomlinson, Chaz Underriner and Lindsay Vicker. GreyWing supported by Louise Devenish and percussionists.

1.Vanessa Tomlinson - Static [2015]08:32
2.Lindsay Vickery - Sanctuary [2018]  08:21
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3.Matthew Burtner - A'aa [2009] 08:11
4.Lindsay Vickery - small waves raised by the evening [2016] 07:33
5.Vanessa Tomlinson - Sonic Dreams [2017] 05:45
6.Sam Gillies - Shelter [2016] 05:34
7.Chaz Underriner - nocturne 4 [2012] 11:28
Kirsten Smith - flutes
Lindsay Vickery - clarinet/saxophone

Jameson Feakes - guitar
Catherine Ashley - harp

2017

22 July 2017 GreyWing Rio 1917: Scale Variable 2
WAAPA Auditorium
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1.Heitor Villa-Lobos - Sexteto Mistico [1917] 08:07
2.Filipe Lara - Parabolas da Caverna [2014] 14:18
3.Sam Gillies - A door to a place, to something ongoing [2017] 12:47 ​​†
4.Pedro Alvarez - Instead [2013] 08:24
5.Alexander Turley - Nocturnal [2016] 12:22 ​​†
6.Ellie Cumming - Változó Évszakok [2017] 05:58 ​​†
7.Eduardo Cossio - Ghost [2017] 07:08 ​​†
8.Lindsay Vickery - Liminario [2017] 08:01 ​​†

​† first performance
Catherine Ashley - harp
Jameson feakes - guitar
Lindsay Vickery - clarinet/saxophone
Kirsten Smith - flutes
Niamh Dell - oboe
Stewart Smith - keyboards​
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7 April 2017 730 - Sonic Wonderment Revisited
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WAAPA Auditorium
Clocked Out (Vanessa Tomlinson and Erik Griswold) teams up with GreyWing Ensemble (Lindsay Vickery, Catherine Ashley and Jameson Feakes) and the WAAPA Composers' Orchestra to perform colourful new works for large ensemble and electronics.
1.Ben Carey - Magnetic Visions IV [2017]10:20
2.Lindsay Vickery - Detritus [2015] 09:03
3.Gabbi Fusco - Heart in one's mouth [2016] 07:30
4.Erik Griswold - Action Music [2013]07:38
5.Vanessa Tomlinson - Stasis [2017]07:30
6.Lindsay Vickery - TECTONIC: rodinia [2016] 04:59
Clocked Out
Erik Griswold – piano
Vanessa Tomlinson – percussion
 
Grey Wing
Catherine Ashley – harp
Jameson Feakes – guitar
Lindsay Vickery – clarinet
Guests
Benedict Carey – composer
Tristen Parr – cello
Michael Terren - celeste

WAAPA COMPOSER’s ORCHESTRA
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​21 January 2017 Audible Edge: Four days of experimental and improvised music
CHRISTIAN WINDFELD [dk] / GREYWING ENSEMBLE / INGAR ZACH [nor]
1. GreyWing Audible Edge I 13:35
2. GreyWing Audible Edge II 10:28
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2016

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13 May 2016 GreyWing: nature forms
State Library of WA
  1. Lindsay Vickery      nature forms ii [2016] 07:58†
  2. Sam Gillies             shelter [2016] †
  3. Josten Myburgh      a painted window of nothing [2016] 12:44 †
  4. Catherine Ashley     yukio [2016] 06:59
  5. Lindsay Vickery      small waves raised by the evening [2016] † 07:30
† first performance

Grey Wing
Catherine Ashley – harp
Jameson Feakes – guitar
Lindsay Vickery – clarinet

20 April 2016 GreyWing: Tokyo Sound Space Ark.
WAAPA Auditorium
  1. Toru Takemitsu - Rain Spell [1982](free) 11:32
  2. Joji Yuasa - A Winter Day [1981] 15:03
  3. Haruka Hirayama - Tints of July [2011] 10:20
  4. Kevin Penkin - Throughtones [2016] 07:26 †
  5. Josten Myburgh - mechanical falls from the sky [2016] 17:09 †
  6. Rebecca Erin Smith - Femme [2016] 12:50†
  7. Lindsay Vickery - Tokyo Avian Sound Ark [2016] 08:00 †
† first performance
Grey Wing
Catherine Ashley – harp
Jameson Feakes – guitar
Lindsay Vickery – clarinet

​Kirsten Smith - Flute
Piano – Aidan Boase
Percussion – Paul Tanner
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1 March 2016  Greywing Lunchtime Concert, 1.10
WAAPA Auditorium
  1. Cat Hope                 Marking Time [2016] 12:13†
  2. Lindsay Vickery        semantics of redaction (RKM) 09:22
  3. Sam Gillies               Snowden (Eyes in the Sky) [2015] 06:37
  4. Jameson Feakes       Catherine Ashley - Ukiyo [2016] 06:26
  5. Lindsay Vickery        small waves raised by the evening [2016] 07:34†
† first performance

2015

20150424 Sound Unbound  - Greywing Trio (Lindsay Vickery, Catherine Ashley, Jameson Feakes) 
Spectrum Project Space
  1. Lindsay Vickery - the semantics of redaction (RosalieKM) [2015] (Greywing) 09:15
  2. Lindsay Vickery -flitter [2015] 06:40 †
  3. Lindsay Vickery -here, apparently, there was time for everything [2015] 08:18 †
† first performance
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