performances
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alone (solo works)
3 February 3pm CoolChange Gallery 1F Bon Marche Arcade Building 74-84 Barrack Street, Perth, Western Australia, 6000 Anne Le Barron - Planxty Bowerbird [1982] Barry Truax - Steam [2001] Simon Charles - Murrinidindie [2016] Lindsay Vickery - escadaria do diabo [2016] Kirsten Smith - flutes
Lindsay Vickery - clarinet/saxophone Jameson Feakes - guitar Catherine Ashley - harp |
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HEDKIKR and GreyWing with Danny Susnjar
21 December 5pm Spectrum Project Space HEDKIKR [Darren Moore Drums and Lindsay Vickery - Saxophone] GreyWing Tom O'Halloran - Hectic Erik Griswold - Action Music Lindsay Vickery - New Work Frank Zappa - The Black Page Bill Bruford - Five Percent for Nothing |
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Ex Machina (works with mechanical recordings)
14 November 2018 7:30 Old Customs House, Fremantle. Russolo's The Art of Noises (1913) proclaimed "we get infinitely more pleasure imagining combinations of the sounds of trolleys, autos and other vehicles, and loud crowds, than listening once more, for instance, to the heroic or pastoral symphonies". Ex Machina explores music made from and inspired by machines and the mechanical. Works include pioneers in the field Robert Erickson and Barry Truax, contemporary Europeans, James Saunders, Peter Ablinger, Joanna Bailie and new works by Camilla Hannan, Lindsay Vickery and Dane Yates. Peter Ablinger - Book of Returns [2013] ensemble, electronics, situations, variable formats and durations Joanna Bailie - Trains [2014] unampli!ed cello and stereo soundfile playback Robert Erickson - Nine and a Half for Henry (and Wilbur and Orville) [1968] for five instruments and with recorded urban sounds Camilla Hannan/Lindsay Vickery - Telescope Turbine [2018] fl, cl, egt, vcl, hp and electronics James Saunders - instruments with recordings [2012] 4-6 players, with environmental recordings Dane Yates - Vinosity [2018] bcl, egt, hp and electronics |
Kirsten Smith - flutes
Lindsay Vickery - clarinet/saxophone Melanie Robinson - cello Jameson Feakes - guitar Catherine Ashley - harp |
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artificial field (works with artificial field recordings)
9 September 3pm CoolChange Gallery 1F Bon Marche Arcade Building 74-84 Barrack Street, Perth, Western Australia, 6000
1.Matthew Burtner - Tingnikvik [2001] 10:14 2.Michael Terren - As Rendered [2014] 12:23 3.Vanessa Tomlinson - Sonic Dreams [2017] 05:40 4.Lindsay Vickery - rising water [2018] 07:13 5.Ryan Burge - Simulacra II [2018] 07:08 6.Robert Erickson - Pacific Sirens [1968] 13:23 Kirsten Smith - flutes
Lindsay Vickery - clarinet/saxophone Phil Waldron - double bass Jameson Feakes - guitar Catherine Ashley - harp |
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lines of flight launch
Friday, April 6 at 6 PM - 9 PM Gallop House 22 Birdwood Parade, Dalkeith WA 6009 works by Catherine Ashley, Eduardo Cossio, Sam Gillies, Cat Hope and Lindsay Vickery Presenting the works. 1. Sam Gillies - Snowden (eyes on the sky) [2015] 06:55 for clarinet, electric guitar, harp and electronics 2. Catherine Ashley - When Will She Learn [2018] 08:55 for flute, clarinet, electric guitar, harp and electronics 3. Lindsay Vickery - here, apparently, there was time for everything [2015] 08:22 for soprano saxophone, electric guitar, harp and electronics 4. Eduardo Cossio - Ghost [2017] 07:00 for flute, bass clarinet and electric guitar 5. Cat Hope - Signals Directorate [2014] 07:15 for bass clarinet, electric guitar, harp and electronics |
Kirsten Smith - flutes
Lindsay Vickery - clarinet/saxophone Jameson feakes - guitar Catherine Ashley - harp |
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nature forms I launch
Sunday, March 25 at 6 PM - 9 PM Eric Singleton Bird Sanctuary, Bayswater works by Matthew Burtner, Sam Gillies, Josten Myburgh, Yoko Ono, Vanessa Tomlinson, Chaz Underriner and Lindsay Vicker. GreyWing supported by Louise Devenish and percussionists. 1.Vanessa Tomlinson - Static [2015]08:32 2.Lindsay Vickery - Sanctuary [2018] 08:21 3.Matthew Burtner - A'aa [2009] 08:11 4.Lindsay Vickery - small waves raised by the evening [2016] 07:33 5.Vanessa Tomlinson - Sonic Dreams [2017] 05:45 6.Sam Gillies - Shelter [2016] 05:34 7.Chaz Underriner - nocturne 4 [2012] 11:28 Kirsten Smith - flutes
Lindsay Vickery - clarinet/saxophone Jameson Feakes - guitar Catherine Ashley - harp |
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22 July 2017 GreyWing Rio 1917: Scale Variable 2
WAAPA Auditorium 1.Heitor Villa-Lobos - Sexteto Mistico [1917] 08:07 2.Filipe Lara - Parabolas da Caverna [2014] 14:18 3.Sam Gillies - A door to a place, to something ongoing [2017] 12:47 † 4.Pedro Alvarez - Instead [2013] 08:24 5.Alexander Turley - Nocturnal [2016] 12:22 † 6.Ellie Cumming - Változó Évszakok [2017] 05:58 † 7.Eduardo Cossio - Ghost [2017] 07:08 † 8.Lindsay Vickery - Liminario [2017] 08:01 † † first performance
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7 April 2017 730 - Sonic Wonderment Revisited
WAAPA Auditorium Clocked Out (Vanessa Tomlinson and Erik Griswold) teams up with GreyWing Ensemble (Lindsay Vickery, Catherine Ashley and Jameson Feakes) and the WAAPA Composers' Orchestra to perform colourful new works for large ensemble and electronics. 1.Ben Carey - Magnetic Visions IV [2017]10:20 2.Lindsay Vickery - Detritus [2015] 09:03 3.Gabbi Fusco - Heart in one's mouth [2016] 07:30 4.Erik Griswold - Action Music [2013]07:38 5.Vanessa Tomlinson - Stasis [2017]07:30 6.Lindsay Vickery - TECTONIC: rodinia [2016] 04:59
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21 January 2017 Audible Edge: Four days of experimental and improvised music
CHRISTIAN WINDFELD [dk] / GREYWING ENSEMBLE / INGAR ZACH [nor] 1. GreyWing Audible Edge I 13:35 2. GreyWing Audible Edge II 10:28 |
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13 May 2016 GreyWing: nature forms
State Library of WA
Grey Wing Catherine Ashley – harp Jameson Feakes – guitar Lindsay Vickery – clarinet |
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20 April 2016 GreyWing: Tokyo Sound Space Ark.
WAAPA Auditorium
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1 March 2016 Greywing Lunchtime Concert, 1.10
WAAPA Auditorium
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20150424 Sound Unbound - Greywing Trio (Lindsay Vickery, Catherine Ashley, Jameson Feakes)
Spectrum Project Space
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