composers and repertoire
|
Peter Ablinger Book of Returns [2013] Studien nach der Natur [1995, 2002] Pedro Alvarez Instead [2011] for solo clarinet Praeludium [2008] for solo soprano saxophone Catherine Ashley Yukio [2015] for solo electric harp and electronics When will She Learn [2018] for flute, clarinet, electric guitar, harp and electronics † Joanna Bailie Trains [2014] for cello and tape Artificial Environments Nos. 1-5 [2014] for flute, clarient, piano, viola, cello and tape Leah Barclay Rising Water [2018] for bass clarinet, electric guitar, harp and electronics (with Lindsay Vickery) † Ryan Burge simulacra II [2018] for ensemble and artificial field recording Matthew Burtner A'aa [2009] for flute and clarinet with amplified lava rocks and electroacoustics Mists [1996] for stone trio and tape Tingnikvik [2001] for trio and noise generators Eduardo Cossio Ghost [2017] for flute, bass clarinet and electric guitar † Ellie Cumming Változó Évszakok[2017] for flute, oboe, clarinet, guitar, celeste and harp † Agostino di Scipio Impedance [2014‐ ] for 3 guitar amplifiers Robert Erickson Pacific Sirens [1968] for tape and five or more sustaining instruments/voices Nine and a Half for Henry (and Wilbur and Orville) [1968] Sam Gillies A door to a place, to something ongoing [2017] for flute, oboe, bass clarinet, electric guitar, harp, piano, and electronics † Shelter [2016] for bass clarinet, electric guitar, harp and electronics Snowden (eyes in the sky) [2014] for bass clarinet, electric guitar, harp and electronics Erik Griswold Stars of Ours [2013] for percussionist and instructor Camilla Hannan telescope turbine [2018] for flute, bass clarinet, electric guitar, cello, harp and electronics (with Lindsay Vickery) † Sophia Healdgrove Sound in Nature [2022] † Haruka Hirayama Tints of July [2011] for flute, guitar and electronics translucency I [2016] bass clarinet and electronics Cat Hope Marking Time [2016] clarinet, electric guitar and electric harp † Signals Directorate [2014] for bass clarinet, electric guitar, harp and electronics Terri Hron Mouth of a River [2021] † Kirsten Hudson/Lindsay Vickery Requiem (Kalyakoorl) [2021] † Alice Humphries Littoral zone response - the cove [2021] † Jo Kondo Standing [1973] for three instruments Felipe Lara Parabolas da Caverna [2014] for amplified flute Anne Le Baron Planxty Bowerbird [1982] for harp and tape François-Bernard Mâche Manuel de conversation [2007] pour clarinette et ordinateur Thomas Meadowcroft Monaro Study [2011]for two clarinets, recordings of a Holden Monaro automobile and sinetones Mitch Mollison Egg-coloured sky [2019] for clarinet, electric guitar, harp and field recording † Annika Moses Wheels of a spoke [2018] for reciter, flute, clarinet, electric guitar, harp and percussion VKW 96.1FM [2018] Josten Myburgh A Painted Mirror of Nothing [2016] for clarinet and electronics mechanical falls from the sky [2016] for piano, snare drum, four sustaining instruments & electronics† Banksias under snow [2021] for clarinet (doubling bass clarinet), electric guitar, pedal harp, flute (doubling alto flute) & electronics † Kevin Penkin Throughtones [2016] for flute, harp, piano and percussion † Ian Rawes Bascule [2016] for chamber orchestra and field recording (with Lindsay Vickery) † James Saunders instruments with recordings [2012] for 4-6 players with environmental recordings Elisabeth Schimana Landschaften [2021] Rebecca Erin Smith Femme [2016] for flute, clarinet, percussion, harp, piano and guitar † still lifes [2020] for flute, clarinet, percussion, harp, piano and guitar † Over Under Through [2019] Toru Takemitsu Rainspell [1982] for flute, clarinet, harp, piano, vibraphone Michael Terren As Rendered [2014] for quintet and electronics Vanessa Tomlinson Nostalgia (Perth) [2013/19] Sonic Dreams [2017] for 3 instruments † Alexander Turley Dunes [2017] for harp and tape Nocturnal [2017] for flute, bass clarinet, guitar, piano, celeste and harp † Barry Truax Steam [2001] for alto flute and tape Pacific Fog [1990] for alto saxophone and tape Sze Tsang Cladia [2021] Chaz Underriner Nocturne 1 [2012] for electric guitar, electric harp and field recording Nocturne 4 [2012] for 2 or more instruments and field recordings Cathy Van Eck Song no. 3 [2010] for one performer, loudspeaker, microphone and live electronics Lindsay Vickery [opi'lka [2017] for flute, trumpet, soprano, alto saxophones, bass clarinet, electric guitar, harp and electronics † between-states [2015] for bass flute, bass clarinet and electronics detritus [2015] for bass clarinet, electric guitar, harp and electronics here, apparently, there was time for everything [2015] for soprano saxophone, electric guitar, harp and electronics † Jingee [2020] for flute, bass clarinet, guitar and electronics † Jingeejerdup [2022] † liminario [2017] for flute, oboe, clarinet, electric guitar, celeste and harp † lyrebird [2014] for instrument(s) and field recording mannaitch (2020) for clarinet and electronics mechanical inefficiency [2019] for flute, bass clarinet, electric guitar, harp and electronics † murmurs trapped beneath the bark [2014] for bass clarinet and electronics † nature forms I [2014] for three instruments and field recording nature forms II [2016] for clarinet, electric guitar, harp, percussion and electronics † qaalup [2019] for bass clarinet and electronics † rising water [2018] for bass clarinet, electric guitar, harp and artificial field recording† The Semantics of Redaction [2014] for instrument(s) and field recording smallwaves raised by the evening [2016] for bass clarinet, electric guitar, harp and electronics † takadanobaba [2018] for voice, trumpet, alto saxophone, bass clarinet, electric guitar, harp and percussion † Tectonic: Rodinia [2016] for four conductors, four ensembles and electronics Tokyo Avian Sound Ark [2016] for clarinet, electric guitar, harp and electronics † torbuammpa [2019] for flute, bass clarinet, electric guitar, harp, percussion and recording † wardang [2019] for bass clarinet, electric guitar, harp and electronics † wellington forest [2017] for three instruments and field recording Heitor Villa-Lobos Sexteto Mistico [1917] for flute, oboe, alto saxophone, guitar, celeste and harp Dane Yates Vinosity [2018] for bass clarinet, electric guitar, harp and tape † Joji Yuasa A Winter Day [1981] for flute, clarinet, percussion, harp, and piano. Jennifer Walshe He was She was [2008] for four instruments and tape Jocelyn Wolfe willsons downfall [2018] for three instruments and three field recordings (with Lindsay Vickery) † Aaron Wyatt The Lost Key [2021] † Emmanuelle Zagoria moving to the other side of you [2019] for flute, bass clarinet, electric guitar, harp, percussion † † written for GreyWing
|
|
