forthcoming releases...
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GreyWing - artificial field
Robert Erickson Pacific Sirens [1968] for tape and five or more sustaining instruments/voices Alex Turley Dunes [2017] for solo harp and electronics Lindsay Vickery Tokyo Avian Sound Ark [2016] for clarinet, electric guitar, harp and electronics Matthew Burtner Tingnikvik [2001] for trio and noise generators Lindsay Vickery murmurs trapped beneath the bark [2014] for clarinet and electronics Michael Terren As Rendered [2014] for quintet and electronics Leah Barclay/Lindsay Vickery Rising Water [2018] for bass clarinet, electric guitar, harp and artificial field recording Matthew Burtner Mists [1996] for stones and noise Lindsay Vickery qaalup [2019] for bass clarinet and electronics Mitch Mollison Egg-coloured sky [2019] for clarinet, electric guitar, harp and electronics Anne Le Barron Planxty Bowerbird [1982] for harp and tape Jocelyn Wolfe./Lindsay Vickery willsons downfall [2018] for three instruments and three recordings of willson's downfall Peter Ablinger Studien nach der Natur [1995, 2002] for six voices Ryan Burge Simulacra II [2018] for ensemble and artificial field recording |
GreyWing
Kirsten Smith - flute Lindsay Vickery - clarinet/saxophone Jameson Feakes - guitar Catherine Ashley - harp Melanie Robinson – cello Phil Waldron - double bass 
Excerpt from Michael Terren As Rendered
Excerpt from Ryan Burge Simulacra II
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GreyWing - ex machina
Robert Erickson Nine and a Half for Henry (and Wilbur and Orville) [1968] for five instruments and with recorded urban sounds Barry Truax Steam [2001] for amplified alto flute and tape Camilla Hannah/Lindsay Vickery telescope turbine [2018] for flute, bass clarinet, electric guitar, cello, harp and recording James Saunders instruments with recordings [2012] for 4-6 players, with environmental recordings Lindsay Vickery takadanobaba [2018] for voice, violin, trumpet, alto saxophone, bass clarinet, electric guitar, harp and percussion Agostino di Scipio Impedance [2014‐] for three guitar amplifiers lindsay vickery [opi'lka [2017] for flute, trumpet, soprano and alto saxophone, bass clarinet, electric guitar and harp lindsay vickery mechanical inefficiency [2019] for flute, clarinet, electric guitar, piano and field recording of air conditioners thomas meadowcroft monaro study [2008] for two clarinets and recordings from a Holden Monaro V2 Series automobile Ian Rawes/Lindsay Vickery Bascule [2016] for ensemble Peter Ablinger Book of Returns [2013] for ensemble, electronics, situations, variable formats and durations |
Excerpt from Lindsay Vickery takadanobaba 
Excerpt from Robert Erickson Nine and a Half for Henry (and Wilbur and Orville)
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available releases
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GreyWing nature forms I TONELIST TL011
Lindsay Vickery small waves raised by the evening [2016] for bass clarinet, electric guitar, harp and field recording Sam Gillies Shelter [2016] for bass clarinet, electric guitar, harp and field recording Lindsay Vickery lyrebird (wetlands) [2014] for bass clarinet, electric guitar, harp and field recording Matthew Burtner A'aa [2009] for flute, clarinet, amplified lava rocks and electroacoustics Vanessa Tomlinson Sonic Dreams [2017] for bass clarinet, electric guitar and harp Yoko Ono Secret Piece [1953] for harp and field recording Lindsay Vickery nature forms I [2013] for bass clarinet, electric guitar, harp and electronics Lindsay Vickery wellington forest [2017] for bass clarinet, electric guitar, harp and field recording Chaz Underriner nocturne series: 4 [2012] † for ten instruments, environment and field recordings release date 25 March 2018 Official Launch: Sunday, March 25 at 6 PM - 9 PM Eric Singleton Bird Sanctuary, Bayswater |
Format: digital download or limited edition "concertina book"and case (dimensions 105mm x 150mm x 9mm). Laser cut wooden bookends with “nature forms I” design, 2400mm x 100mm “nature forms I” (16 fold) concertina score, "field recording map" postcard, liner notes and case.
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GreyWing lines of flight TONELIST TL010
Sam Gillies Snowden (eyes in the sky) [2015] for clarinet, electric guitar, harp and electronics Cat Hope Marking Time [2016] for bass clarinet, electric guitar and harp Lindsay Vickery Lines of Flight [2017] for clarinet and electronics Catherine Ashley Hostage [2017] for harp and electronics Lindsay Vickery here, apparently, there was time for everything [2015] for soprano saxophone, electric guitar, harp and electronics Cat Hope Signals Directorate [2015] for bass clarinet, electric guitar, harp and electronics Lindsay Vickery detritus [2015] for bass clarinet, electric guitar, harp and electronics Eduardo Cossio ghost [2017] for flute, bass clarinet and electric guitar Lindsay Vickery Tectonic: rodinia [2016] † for 4 conductors, 4 ensembles and electronics release date April 6 2018 Official Launch: preceded by a performance from composer-in-residence Kate Moore, Friday, April 6 at 6 PM - 9 PM Gallop House 22 Birdwood Parade, Dalkeith WA 6009 |
Format: digital download or limited edition "concertina book"and case (dimensions 105mm x 150mm x 11mm). Laser cut wooden bookends with “Snowden (Eyes in the Sky)” score excerpt design, 1200mm x 100mm (8 fold) “Snowden (Eyes in the Sky)” concertina score, "detritus" postcard, liner notes and case.
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