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forthcoming...

[text] works by Catherine Ashley, Ryan Burge, Louis D'Heudieres, Erik Griswold, Annika Moses, Vanessa Tomlinson, Lindsay Vickery, Jennifer Walshe, James Weeks and Emmanuelle Zagoria.
banksias under snow works by Cat Hope, Alice Humphries, Josten Myburgh, Elisabeth Schimana, Rebecca Smith, Lindsay Vickery and Aaron Wyatt.

available releases

GreyWing - artificial field ​TONELIST TL025             
Robert Erickson Pacific Sirens [1968]
for tape and five or more sustaining instruments/voices
Alex Turley Dunes [2017]
for solo harp and electronics
Lindsay Vickery Tokyo Avian Sound Ark 東京鳥音箱舟 [2016]
for clarinet, electric guitar, harp and electronics
Matthew Burtner Tingnikvik [2001]
for trio and noise generators
Lindsay Vickery murmurs trapped beneath the bark [2014]
for bass clarinet and electronics
Michael Terren As Rendered [2014]
for quintet and electronics
Leah Barclay/Lindsay Vickery Rising Water [2018]
for bass clarinet, electric guitar, harp and artificial field recording
Matthew Burtner Mists [1996]
for stone trio and noise
Lindsay Vickery qaalup [2019]
for bass clarinet and electronics
Mitchell Mollison Egg-coloured sky [2019]
for eb/bass clarinet, electric guitar, harp and tape
Anne LeBaron Planxty Bowerbird [1982] 
for harp and tape
Jocelyn Wolfe/Lindsay Vickery willsons downfall [2018]
for flute, electric guitar, harp and three recordings of willson's  downfall
Peter Ablinger Studien nach der Natur [1995, 2002]
for six voices
Ryan Burge Simulacra II [2018]
for ensemble and artificial field recording
GreyWing
Kirsten Smith - flute
Lindsay Vickery - clarinet/saxophone
Jameson Feakes - guitar
Catherine Ashley - harp


​Melanie Robinson – cello

Phil Waldron - double bass
Annika Moses – voice
Michael Terren - voice
Release Date December 12 2019
Album Launch: December 12 2019 7:00PM
St Paul’s Church 106 Rookwood St, Menora
Available in digital download or limited edition "concertina book" and case (dimensions 105mm x 150mm x 11mm), featuring laser cut brushed  gold laminate bookends with a concertina score of Michael Terren’s “As Rendered” (2400mm x 100mm -16 fold) score, postcard and liner notes. 
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Excerpt from Michael Terren As Rendered

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Excerpt from Ryan Burge Simulacra II 


GreyWing - ex machina ​TONELIST TL026
Robert Erickson Nine and a Half for Henry (and Wilbur and Orville) [1968]
for five instruments and with recorded urban sounds
Ian Rawes/Lindsay Vickery Bascule [2016]
for ensemble and field recording
Barry Truax Steam [2001]
for amplified alto flute and tape
Camilla Hannan/Lindsay Vickery telescope turbine [2018]
for flute, clarinet, electric guitar, cello, harp and recording
James Saunders  instruments with recordings [2012]
for 4-6 players, with environmental recordings
Lindsay Vickery takadanobaba [2018]
for voice, violin, trumpet, alto saxophone, bass clarinet, electric guitar, harp and percussion
Thomas Meadowcroft Monaro Study [2008]
for two clarinets and recordings from a Holden Monaro V2 Series automobile
Lindsay Vickery [opi'lka [2017]
for flute, trumpet, soprano and alto saxophone, bass clarinet, electric guitar, harp and electronics
Agostino di Scipio Impedance [2014‐ ]
for three guitar amplifiers
Lindsay Vickery mechanical inefficiency [2019]
for flute, clarinet, electric guitar, harp and field recording of air conditioners
Peter Ablinger Book of Returns [2013]
for ensemble, electronics, situations, variable formats and durations
Release Date December 12 2019
Album Launch: December 12 2019 7:00PM
St Paul’s Church 106 Rookwood St, Menora
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Excerpt from Robert Erickson Nine and a Half for Henry (and Wilbur and Orville) 

Available in digital download or limited edition "concertina book" and case (dimensions 105mm x 150mm x 11mm), featuring laser cut brushed silver laminate bookends with a concertina score of Lindsay Vickery’s “takadanobaba”(2400mm x 100mm -16 fold) score, postcard and liner notes. 
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GreyWing
Kirsten Smith - flute
Lindsay Vickery - clarinet/saxophone
Jameson Feakes - guitar
Catherine Ashley - harp
​
​Melanie Robinson – cello
Phil Waldron - double bass
with
​Annika Moses – voice
Dobromiła Jaskot - voice 
Eljo Agenbach - bass clarinet
Dan O’Connor – trumpet
Ewan Potter - trombone ​
Vanessa Tomlinson – percussion
Ben Stacy - percussion
Nate Wood – violin
Kathy Potter - viola
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Excerpt from Lindsay Vickery takadanobaba 


GreyWing  nature forms I ​TONELIST TL011
Lindsay Vickery  small waves raised by the evening [2016]
for bass clarinet, electric guitar, harp and field recording
Sam Gillies Shelter [2016]
for bass clarinet, electric guitar, harp and field recording
Lindsay Vickery lyrebird (wetlands) [2014]
for bass clarinet, electric guitar, harp and field recording
​Matthew Burtner A'aa [2009]
for flute, clarinet, amplified lava rocks and electroacoustics
Vanessa Tomlinson Sonic Dreams [2017]
for bass clarinet, electric guitar and harp
Yoko Ono Secret Piece [1953]
for harp and field recording
Lindsay Vickery nature forms I [2013]
for bass clarinet, electric guitar, harp and electronics
Lindsay Vickery wellington forest [2017]
for bass clarinet, electric guitar, harp and field recording
Chaz Underriner ​nocturne series: 4 [2012] †
for ten instruments, environment and field recordings

​release date: 25 March 2018
Official Launch: Sunday, March 25 at 6 PM - 9 PM Eric Singleton Bird Sanctuary, Bayswater
Format: digital download or limited edition "concertina book"and case (dimensions 105mm x 150mm x 9mm). Laser cut wooden bookends with “nature forms I” design,  2400mm x 100mm “nature forms I” (16 fold) concertina score, "field recording map" postcard, liner notes and case.
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GreyWing
Kirsten Smith - flute
Lindsay Vickery - reeds
Jameson Feakes - guitar

Catherine Ashley - harp
† with members of Breaking Waves and Los Gerygones.
Sage Pbbbt - voice
Zoe Kilbourn - soprano saxophone
Josten Myburgh - laptop
Dan O'Connor - trumpet
Eduardo Cossio - electric guitar
Philip Waldron - double bass

GreyWing  lines of flight ​TONELIST TL010
Sam Gillies Snowden (eyes in the sky) [2015]
for clarinet, electric guitar, harp and electronics
Cat Hope Marking Time [2016]
for bass clarinet, electric guitar and harp
Lindsay Vickery Lines of Flight [2017]
for clarinet and electronics
Catherine Ashley Hostage [2017]
for harp and electronics
Lindsay Vickery here, apparently, there was time for everything [2015]
for soprano saxophone, electric guitar, harp and electronics
Cat Hope Signals Directorate [2015]
for bass clarinet, electric guitar, harp and electronics
Lindsay Vickery detritus [2015]
for bass clarinet, electric guitar, harp and electronics
Eduardo Cossio ghost [2017]
for flute, bass clarinet and electric guitar
Lindsay Vickery Tectonic: rodinia [2016] †
for 4 conductors, 4 ensembles and electronics

release date: April 6 2018
Official Launch: preceded by a performance from composer-in-residence Kate Moore, Friday, April 6 at 6 PM - 9 PM Gallop House 22 Birdwood Parade, Dalkeith WA 6009
Format: digital download or limited edition "concertina book"and case (dimensions 105mm x 150mm x 11mm). Laser cut wooden bookends with “Snowden (Eyes in the Sky)” score excerpt design,  1200mm x 100mm (8 fold) “Snowden (Eyes in the Sky)” concertina score, "detritus" postcard, liner notes and case.
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GreyWing
Kirsten Smith - flute
Lindsay Vickery - reeds
Jameson Feakes - guitar

Catherine Ashley - harp
† with

Dan O'Connor - trumpet
Eduardo Cossio - electric guitar
Aaron Wyatt - viola
Tristen Parr - cello
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