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forthcoming...

GreyWing - banksias under snow (Jan 2023)
Alice Humphries  Littoral Zone Response: the cove [2021]
for GreyWing ensemble with manipulated field recordings 
Lindsay Vickery  wardang [2019]
for flute, bass clarinet, electric guitar, harp and fixed media
Aaron Wyatt The Lost Key [2021] 
for flute, bass clarinet, electric guitar, harp and fixed media
Rebecca E. Smith  New Work [2021]
Teri Hron  Mouth of a River [2021] 
for four performers and fixed media
Elisabeth Schimana  Landscapes [2021]
7x3 Interventions for four instruments
Lindsay Vickery and Kirsten Hudson  Requiem (Kalyakoorl) [2022] 
for flute, bass clarinet, electric guitar, harp and video scores
Lindsay Vickery Jingeejerdup [2020]
for electric guitar and fixed media
Cat Hope Wanderlust [2018]
for electric guitar, harp and field recordings
Sze Tsang Cladia [2021]
for autonomous instrument, field recording and multiple performers.
Josten Myburgh Banksias under Snow [2020] f
or clarinet (doubling bass clarinet), electric guitar, pedal harp, flute (doubling alto flute) & electronics
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GreyWing - [text] (Jan 2023)
Emmanuelle Zagoria moving to the other side of you [2019] 
for instruments
Catherine Ashley When will she learn [2018]
for flute, clarinet, electric guitar and harp
Louis D'Heudieres Laughter Studies 3 [2016]
for 3 performers
Ryan Burge Digi-Social Echo Chamber [2017]
for 5 instruments
François-Bernard Mâche Manuel de Conversation [2007]
for clarinet and fixed media 
Erik Griswold (AUS) Stars of Ours [2014]
for percussionist and instructor
Annika Moses wheels of a spoke [2018]
for flute, clarinet, electric guitar, harp and percussion
lindsay vickery The Semantics of Redaction [2014]
for harp, speech recording and generative score
Vanessa Tomlinson (AUS) Nostalgia (Perth) [2013/19]
for a group of listeners and ensemble
lindsay vickery Un Paso al Abismo [2018] 
for 11 live soap-opera feeds and drummer
Jennifer Walshe He Was She Was [2008]
for four performers
James Weeks Signs of Occupation [2013]
for clarinet and speaking voice 
Lindsay Vickery t o r b u a m m p a [2019]
for instruments and electronics
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available releases

GreyWing - artificial field ​TONELIST TL025             
Robert Erickson Pacific Sirens [1968]
for tape and five or more sustaining instruments/voices
Alex Turley Dunes [2017]
for solo harp and electronics
Lindsay Vickery Tokyo Avian Sound Ark 東京鳥音箱舟 [2016]
for clarinet, electric guitar, harp and electronics
Matthew Burtner Tingnikvik [2001]
for trio and noise generators
Lindsay Vickery murmurs trapped beneath the bark [2014]
for bass clarinet and electronics
Michael Terren As Rendered [2014]
for quintet and electronics
Leah Barclay/Lindsay Vickery Rising Water [2018]
for bass clarinet, electric guitar, harp and artificial field recording
Matthew Burtner Mists [1996]
for stone trio and noise
Lindsay Vickery qaalup [2019]
for bass clarinet and electronics
Mitchell Mollison Egg-coloured sky [2019]
for eb/bass clarinet, electric guitar, harp and tape
Anne LeBaron Planxty Bowerbird [1982] 
for harp and tape
Jocelyn Wolfe/Lindsay Vickery willsons downfall [2018]
for flute, electric guitar, harp and three recordings of willson's  downfall
Peter Ablinger Studien nach der Natur [1995, 2002]
for six voices
Ryan Burge Simulacra II [2018]
for ensemble and artificial field recording
GreyWing
Kirsten Smith - flute
Lindsay Vickery - clarinet/saxophone
Jameson Feakes - guitar
Catherine Ashley - harp


​Melanie Robinson – cello

Phil Waldron - double bass
Annika Moses – voice
Michael Terren - voice
Release Date December 12 2019
Album Launch: December 12 2019 7:00PM
St Paul’s Church 106 Rookwood St, Menora
Available in digital download or limited edition "concertina book" and case (dimensions 105mm x 150mm x 11mm), featuring laser cut brushed  gold laminate bookends with a concertina score of Michael Terren’s “As Rendered” (2400mm x 100mm -16 fold) score, postcard and liner notes. 
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Excerpt from Michael Terren As Rendered

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Excerpt from Ryan Burge Simulacra II 


GreyWing - ex machina ​TONELIST TL026
Robert Erickson Nine and a Half for Henry (and Wilbur and Orville) [1968]
for five instruments and with recorded urban sounds
Ian Rawes/Lindsay Vickery Bascule [2016]
for ensemble and field recording
Barry Truax Steam [2001]
for amplified alto flute and tape
Camilla Hannan/Lindsay Vickery telescope turbine [2018]
for flute, clarinet, electric guitar, cello, harp and recording
James Saunders  instruments with recordings [2012]
for 4-6 players, with environmental recordings
Lindsay Vickery takadanobaba [2018]
for voice, violin, trumpet, alto saxophone, bass clarinet, electric guitar, harp and percussion
Thomas Meadowcroft Monaro Study [2008]
for two clarinets and recordings from a Holden Monaro V2 Series automobile
Lindsay Vickery [opi'lka [2017]
for flute, trumpet, soprano and alto saxophone, bass clarinet, electric guitar, harp and electronics
Agostino di Scipio Impedance [2014‐ ]
for three guitar amplifiers
Lindsay Vickery mechanical inefficiency [2019]
for flute, clarinet, electric guitar, harp and field recording of air conditioners
Peter Ablinger Book of Returns [2013]
for ensemble, electronics, situations, variable formats and durations
Release Date December 12 2019
Album Launch: December 12 2019 7:00PM
St Paul’s Church 106 Rookwood St, Menora
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Excerpt from Robert Erickson Nine and a Half for Henry (and Wilbur and Orville) 

Available in digital download or limited edition "concertina book" and case (dimensions 105mm x 150mm x 11mm), featuring laser cut brushed silver laminate bookends with a concertina score of Lindsay Vickery’s “takadanobaba”(2400mm x 100mm -16 fold) score, postcard and liner notes. 
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GreyWing
Kirsten Smith - flute
Lindsay Vickery - clarinet/saxophone
Jameson Feakes - guitar
Catherine Ashley - harp
​
​Melanie Robinson – cello
Phil Waldron - double bass
with
​Annika Moses – voice
Dobromiła Jaskot - voice 
Eljo Agenbach - bass clarinet
Dan O’Connor – trumpet
Ewan Potter - trombone ​
Vanessa Tomlinson – percussion
Ben Stacy - percussion
Nate Wood – violin
Kathy Potter - viola
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Excerpt from Lindsay Vickery takadanobaba 


GreyWing  nature forms I ​TONELIST TL011
Lindsay Vickery  small waves raised by the evening [2016]
for bass clarinet, electric guitar, harp and field recording
Sam Gillies Shelter [2016]
for bass clarinet, electric guitar, harp and field recording
Lindsay Vickery lyrebird (wetlands) [2014]
for bass clarinet, electric guitar, harp and field recording
​Matthew Burtner A'aa [2009]
for flute, clarinet, amplified lava rocks and electroacoustics
Vanessa Tomlinson Sonic Dreams [2017]
for bass clarinet, electric guitar and harp
Yoko Ono Secret Piece [1953]
for harp and field recording
Lindsay Vickery nature forms I [2013]
for bass clarinet, electric guitar, harp and electronics
Lindsay Vickery wellington forest [2017]
for bass clarinet, electric guitar, harp and field recording
Chaz Underriner ​nocturne series: 4 [2012] †
for ten instruments, environment and field recordings

​release date: 25 March 2018
Official Launch: Sunday, March 25 at 6 PM - 9 PM Eric Singleton Bird Sanctuary, Bayswater
Format: digital download or limited edition "concertina book"and case (dimensions 105mm x 150mm x 9mm). Laser cut wooden bookends with “nature forms I” design,  2400mm x 100mm “nature forms I” (16 fold) concertina score, "field recording map" postcard, liner notes and case.
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GreyWing
Kirsten Smith - flute
Lindsay Vickery - reeds
Jameson Feakes - guitar

Catherine Ashley - harp
† with members of Breaking Waves and Los Gerygones.
Sage Pbbbt - voice
Zoe Kilbourn - soprano saxophone
Josten Myburgh - laptop
Dan O'Connor - trumpet
Eduardo Cossio - electric guitar
Philip Waldron - double bass

GreyWing - lines of flight ​TONELIST TL010
Sam Gillies Snowden (eyes in the sky) [2015]
for clarinet, electric guitar, harp and electronics
Cat Hope Marking Time [2016]
for bass clarinet, electric guitar and harp
Lindsay Vickery Lines of Flight [2017]
for clarinet and electronics
Catherine Ashley Hostage [2017]
for harp and electronics
Lindsay Vickery here, apparently, there was time for everything [2015]
for soprano saxophone, electric guitar, harp and electronics
Cat Hope Signals Directorate [2015]
for bass clarinet, electric guitar, harp and electronics
Lindsay Vickery detritus [2015]
for bass clarinet, electric guitar, harp and electronics
Eduardo Cossio ghost [2017]
for flute, bass clarinet and electric guitar
Lindsay Vickery Tectonic: rodinia [2016] †
for 4 conductors, 4 ensembles and electronics

release date: April 6 2018
Official Launch: preceded by a performance from composer-in-residence Kate Moore, Friday, April 6 at 6 PM - 9 PM Gallop House 22 Birdwood Parade, Dalkeith WA 6009
Format: digital download or limited edition "concertina book"and case (dimensions 105mm x 150mm x 11mm). Laser cut wooden bookends with “Snowden (Eyes in the Sky)” score excerpt design,  1200mm x 100mm (8 fold) “Snowden (Eyes in the Sky)” concertina score, "detritus" postcard, liner notes and case.
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GreyWing
Kirsten Smith - flute
Lindsay Vickery - reeds
Jameson Feakes - guitar

Catherine Ashley - harp
† with

Dan O'Connor - trumpet
Eduardo Cossio - electric guitar
Aaron Wyatt - viola
Tristen Parr - cello
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  • Home
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    • banksias under snow >
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      • Composer Interviews
      • The Artists
      • Banksias Exhibition
      • WorkshopResources
    • [ text ] >
      • Performances
    • Ex Machina >
      • Performances
    • Artificial Field >
      • Performances
    • nature forms I >
      • Performances
    • lines of flight >
      • Performances