forthcoming...
[text] works by Catherine Ashley, Ryan Burge, Louis D'Heudieres, Erik Griswold, Annika Moses, Vanessa Tomlinson, Lindsay Vickery, Jennifer Walshe, James Weeks and Emmanuelle Zagoria.
banksias under snow works by Cat Hope, Alice Humphries, Josten Myburgh, Elisabeth Schimana, Rebecca Smith, Lindsay Vickery and Aaron Wyatt.
banksias under snow works by Cat Hope, Alice Humphries, Josten Myburgh, Elisabeth Schimana, Rebecca Smith, Lindsay Vickery and Aaron Wyatt.
available releases
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GreyWing - artificial field TONELIST TL025
Robert Erickson Pacific Sirens [1968] for tape and five or more sustaining instruments/voices Alex Turley Dunes [2017] for solo harp and electronics Lindsay Vickery Tokyo Avian Sound Ark 東京鳥音箱舟 [2016] for clarinet, electric guitar, harp and electronics Matthew Burtner Tingnikvik [2001] for trio and noise generators Lindsay Vickery murmurs trapped beneath the bark [2014] for bass clarinet and electronics Michael Terren As Rendered [2014] for quintet and electronics Leah Barclay/Lindsay Vickery Rising Water [2018] for bass clarinet, electric guitar, harp and artificial field recording Matthew Burtner Mists [1996] for stone trio and noise Lindsay Vickery qaalup [2019] for bass clarinet and electronics Mitchell Mollison Egg-coloured sky [2019] for eb/bass clarinet, electric guitar, harp and tape Anne LeBaron Planxty Bowerbird [1982] for harp and tape Jocelyn Wolfe/Lindsay Vickery willsons downfall [2018] for flute, electric guitar, harp and three recordings of willson's downfall Peter Ablinger Studien nach der Natur [1995, 2002] for six voices Ryan Burge Simulacra II [2018] for ensemble and artificial field recording
Release Date December 12 2019
Album Launch: December 12 2019 7:00PM St Paul’s Church 106 Rookwood St, Menora |
Available in digital download or limited edition "concertina book" and case (dimensions 105mm x 150mm x 11mm), featuring laser cut brushed gold laminate bookends with a concertina score of Michael Terren’s “As Rendered” (2400mm x 100mm -16 fold) score, postcard and liner notes.
Excerpt from Michael Terren As Rendered
Excerpt from Ryan Burge Simulacra II
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GreyWing - ex machina TONELIST TL026
Robert Erickson Nine and a Half for Henry (and Wilbur and Orville) [1968] for five instruments and with recorded urban sounds Ian Rawes/Lindsay Vickery Bascule [2016] for ensemble and field recording Barry Truax Steam [2001] for amplified alto flute and tape Camilla Hannan/Lindsay Vickery telescope turbine [2018] for flute, clarinet, electric guitar, cello, harp and recording James Saunders instruments with recordings [2012] for 4-6 players, with environmental recordings Lindsay Vickery takadanobaba [2018] for voice, violin, trumpet, alto saxophone, bass clarinet, electric guitar, harp and percussion Thomas Meadowcroft Monaro Study [2008] for two clarinets and recordings from a Holden Monaro V2 Series automobile Lindsay Vickery [opi'lka [2017] for flute, trumpet, soprano and alto saxophone, bass clarinet, electric guitar, harp and electronics Agostino di Scipio Impedance [2014‐ ] for three guitar amplifiers Lindsay Vickery mechanical inefficiency [2019] for flute, clarinet, electric guitar, harp and field recording of air conditioners Peter Ablinger Book of Returns [2013] for ensemble, electronics, situations, variable formats and durations Release Date December 12 2019
Album Launch: December 12 2019 7:00PM St Paul’s Church 106 Rookwood St, Menora 
Excerpt from Robert Erickson Nine and a Half for Henry (and Wilbur and Orville)
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Available in digital download or limited edition "concertina book" and case (dimensions 105mm x 150mm x 11mm), featuring laser cut brushed silver laminate bookends with a concertina score of Lindsay Vickery’s “takadanobaba”(2400mm x 100mm -16 fold) score, postcard and liner notes.
Excerpt from Lindsay Vickery takadanobaba |
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GreyWing nature forms I TONELIST TL011
Lindsay Vickery small waves raised by the evening [2016] for bass clarinet, electric guitar, harp and field recording Sam Gillies Shelter [2016] for bass clarinet, electric guitar, harp and field recording Lindsay Vickery lyrebird (wetlands) [2014] for bass clarinet, electric guitar, harp and field recording Matthew Burtner A'aa [2009] for flute, clarinet, amplified lava rocks and electroacoustics Vanessa Tomlinson Sonic Dreams [2017] for bass clarinet, electric guitar and harp Yoko Ono Secret Piece [1953] for harp and field recording Lindsay Vickery nature forms I [2013] for bass clarinet, electric guitar, harp and electronics Lindsay Vickery wellington forest [2017] for bass clarinet, electric guitar, harp and field recording Chaz Underriner nocturne series: 4 [2012] † for ten instruments, environment and field recordings release date: 25 March 2018 Official Launch: Sunday, March 25 at 6 PM - 9 PM Eric Singleton Bird Sanctuary, Bayswater |
Format: digital download or limited edition "concertina book"and case (dimensions 105mm x 150mm x 9mm). Laser cut wooden bookends with “nature forms I” design, 2400mm x 100mm “nature forms I” (16 fold) concertina score, "field recording map" postcard, liner notes and case.
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GreyWing lines of flight TONELIST TL010
Sam Gillies Snowden (eyes in the sky) [2015] for clarinet, electric guitar, harp and electronics Cat Hope Marking Time [2016] for bass clarinet, electric guitar and harp Lindsay Vickery Lines of Flight [2017] for clarinet and electronics Catherine Ashley Hostage [2017] for harp and electronics Lindsay Vickery here, apparently, there was time for everything [2015] for soprano saxophone, electric guitar, harp and electronics Cat Hope Signals Directorate [2015] for bass clarinet, electric guitar, harp and electronics Lindsay Vickery detritus [2015] for bass clarinet, electric guitar, harp and electronics Eduardo Cossio ghost [2017] for flute, bass clarinet and electric guitar Lindsay Vickery Tectonic: rodinia [2016] † for 4 conductors, 4 ensembles and electronics release date: April 6 2018 Official Launch: preceded by a performance from composer-in-residence Kate Moore, Friday, April 6 at 6 PM - 9 PM Gallop House 22 Birdwood Parade, Dalkeith WA 6009 |
Format: digital download or limited edition "concertina book"and case (dimensions 105mm x 150mm x 11mm). Laser cut wooden bookends with “Snowden (Eyes in the Sky)” score excerpt design, 1200mm x 100mm (8 fold) “Snowden (Eyes in the Sky)” concertina score, "detritus" postcard, liner notes and case.
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